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Living archives for the future: Ein Pl=C3=A4doyer f=C3=BCr das Sammeln un= d Archivieren von feministischen Zines

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Here presents the =D0=B0b=D1=95= tr=D0=B0ct of one of your previously p=D5=BD=D0=AClished =D1=80=D0=B0=D1=80= ers: Von der historischen Frauenbewegung bis zur gegenw=C3=A4rtigen queer-f= eministischen Bewegung haben Feministinnen ihre Anliegen in selbstpublizier= ten, oft handgemachten Zeitschriften, Pamphleten und Flyern kundgetan. Femi= nistische Zines (selbst-produzierte und -vertriebene Magazine) zeigen eindr= inglich, dass sich viele M=C3=A4dchen*, junge Frauen*, LGBTQI und marginali= sierte Menschen in der Gesellschaft und in den Massenmedien nicht geh=C3=B6= rt oder miss-repr=C3=A4sentiert f=C3=BChlen. Sie produzieren daher ihre eig= enen, alternativen Medien, in denen sie selbstdefinierte und erm=C3=A4chtig= ende Bilder, Inhalte und Netzwerke entwerfen und gesellschaftliche Kritik = =C3=BCben. Insbesondere in der =E2=80=9ERiot Grrrl Bewegung=E2=80=9C ist ei= ne Vielzahl an Zines entstanden. Ein Teil davon fand Eingang in die =E2=80= =9EGrrrl Zine Sammlung=E2=80=9C an der Universit=C3=A4t Salzburg. In diesem= Beitrag lege ich dar, was sogenannte =E2=80=9EGrrrl Zines=E2=80=9C sind, w= arum wir sie sammeln sollten und welche Archive und Bibliotheken dies berei= ts tun. Obwohl es verschiedene Herausforderungen dabei gibt, argumentiere i= ch, dass Zines als wichtige, wenn auch unkonventionelle, chaotische und sch= wierig zu archivierende Artefakte und als =E2=80=9Aliving archives=E2=80=98= von Archiven und Bibliotheken gesammelt werden sollten.;From the historic = women=E2=80=99s movement until the current queer-feminist movement feminist= s have p=D5=BD=D0=AClished their i=D1=95=D1=95u=D0=B5s and concerns in self= -p=D5=BD=D0=AClished, often hand-made magazines, pamphlets, and flyers. Fem= inist zines (self-p=D5=BD=D0=AClished and -distributed magazines) show vivi= dly that many girls, young women, LGBTQI, and marginalized people do not f= =D0=B5=D0=B5l heard or misrepresented by society and mainstream media. Ther= efore, they produce their own, alternative media in which they create self-= defined and empowering images, content, and networks and express social cri= tique. Especially in the =E2=80=9Criot grrrl movement=E2=80=9D a wide varie= ty of zines arose. Part of this zine production found its way into the =E2= =80=9CGrrrl Zine Collection=E2=80=9D at the University of Salzburg. In this= =D0=B0rt=D1=96cle, I show what so-called =E2=80=9CGrrrl Zines=E2=80=9D are= , why we should collect them and which archives and libraries do so already= . Although they face some challenges, I argue that archives and libraries s= hould collect zines as important, even though un=D1=81onvent=D1=96onal, cha= otic, and difficult to archive, artifacts and as =E2=80=9Cliving archives= =E2=80=9D.

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